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Women's Studio Workshop
PO Box 489
Rosendale, NY  12472
tel 845.658.9133
fax 845.658.9031
info@wsworkshop.org
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Summer Arts Institute
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2008 Book Arts Classes
Fresh Cuttings
Instructor Bio Beatrice Coron

Learning from historical traditions, we will focus on a modern and creative approach to paper cutting and create delicate, intricate, or even bold silhouette images and designs. Participants will create paper images and acquire basic tools for producing editions. Specific skills for making cutouts will be learned as well as techniques for stenciling and pochoir. Basic pop ups and 3D papercutting will be introduced. Tips, tricks and resources will be provided.

July 21-25

$650 members ($680 non-members) Lab fee $15


Shopping: The Last American Freedom, Beatrice Coron
Visible Language: Letterpress Broadsides
Instructor Bio Kathy Walkup

Broadsides can have an urgency, making them a great vehicle for protest or for quick publication. Since the inception of printing, the broadside form has allowed printers to side-step conventional publishing norms, moving the editorial control to the presses and printers themselves. In this class we will print broadsides using the studio letterpresses. For inspiration we will explore work from the 20th century European and Soviet avant garde, the 1970s, and contemporary broadsides. We will work with metal and wood type, photopolymer plates, and linoleum, and try various simple experimental printing techniques. Each student will design and print a broadside using the Vandercook press, and the class will produce a collaborative work on the platen press. Techniques for editions will be considered. The class is suitable for all levels of students; no previous letterpress experience is necessary. Students should prepare a poem or other text, or come with ideas for the content of their broadsides.

July 28-August 1
$650 members ($680 non-members) Lab fee $25


Installation by Kathy Walkup
Bookbinding
Instructor Bio Carolyn Chadwick

For both beginners and for book artists who wish to improve their skills, this introductory bookbinding class will cover the fundamentals – selection of materials, paper grain, hand tools, adhesives – and, of course, technique and structure. Beginning with a basic pamphlet binding, students will continue with more challenging projects including multi-sectioned case bindings with flat and round backs, a basic album structure, and, if time permits, a slipcase.

August 4-8
$650 members ($680 non-members) Lab fee $45

Surely, leather bound artists' book by Carolyn Chadwick

The Photographer's Artists' Book

Instructor Bio Nicole DuInstructor Bio Olivia Antsis
In this workshop artists will learn how to use their photographs and other photo-based media to create compelling visual narratives in the form of the handbound, artist's book. To integrate photo-based imagery into an artist's book, it is imperative to know different methods of transferring photographs onto suitable printmaking papers. Participants will learn several photo-transfer printmaking techniques, such as solar plate etching, paper lithography, Image-on and Xerox transfer. In addition, participants will learn the following book structures: pamphlet folds, accordion, concertina, and various sculptural bindings. In learning these structures, students will understand the fundamental techniques necessary to create their own artists' books. Additionally, each participant is asked to bring a portfolio of potential imagery (either on CD or printed out) to the first day of class. Images should relate in some way and work well on both an aesthetic and conceptual level. Instructors will guide participants through the creative process and assist them in choosing the appropriate methods for executing their vision. Concept and content will be examinedthrough discussion and critique.
August 11-15
 
$650 members ($680 non-members) Lab fee $25



top:Tracks, photo print by Nicole Dul, bottom: Kairos, 2005 cyanotype and vandyke printed artists' book by Olivia Antsis