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2008
Book Arts Classes
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Shopping:
The Last American Freedom, Beatrice Coron |
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| Visible
Language: Letterpress Broadsides |
Kathy
Walkup |
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Broadsides can have an urgency,
making them a great vehicle for
protest or for quick publication.
Since the inception of printing,
the broadside form has allowed
printers to side-step conventional
publishing norms, moving the editorial
control to the presses and printers
themselves. In this class we will
print broadsides using the studio
letterpresses. For inspiration
we will explore work from the 20th
century European and Soviet avant
garde, the 1970s, and contemporary
broadsides. We will work with metal
and wood type, photopolymer plates,
and linoleum, and try various simple
experimental printing techniques.
Each student will design and print
a broadside using the Vandercook
press, and the class will produce
a collaborative work on the platen
press. Techniques for editions
will be considered. The class is
suitable for all levels of students;
no previous letterpress experience
is necessary. Students should prepare
a poem or other text, or come with
ideas for the content of their
broadsides.
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| July
28-August 1 |
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$650
members ($680 non-members)
Lab fee $25 |
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Installation by Kathy Walkup |
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| Bookbinding |
Carolyn
Chadwick |
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For both beginners and for book artists who wish to improve their skills, this
introductory bookbinding class will cover the fundamentals – selection
of materials, paper grain, hand tools, adhesives – and, of course, technique
and structure. Beginning with a basic pamphlet binding, students will continue
with more challenging projects including multi-sectioned case bindings with flat
and round backs, a basic album structure, and, if time permits, a slipcase.
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| August
4-8 |
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$650
members ($680 non-members)
Lab fee $45 |
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Surely, leather bound artists' book by Carolyn Chadwick |
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The Photographer's Artists'
Book
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Nicole
Du Olivia
Antsis |
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this workshop artists will learn
how to use their photographs and
other photo-based media to create
compelling visual narratives in
the form of the handbound, artist's
book. To integrate photo-based
imagery into an artist's book,
it is imperative to know different
methods of transferring photographs
onto suitable printmaking papers.
Participants will learn several
photo-transfer printmaking techniques,
such as solar plate etching, paper
lithography, Image-on and Xerox
transfer. In addition, participants
will learn the following book structures:
pamphlet folds, accordion, concertina,
and various sculptural bindings.
In learning these structures, students
will understand the fundamental
techniques necessary to create
their own artists' books. Additionally,
each participant is asked to bring
a portfolio of potential imagery
(either on CD or printed out) to
the first day of class. Images
should relate in some way and work
well on both an aesthetic and conceptual
level. Instructors will guide participants
through the creative process and
assist them in choosing the appropriate
methods for executing their vision.
Concept and content will be examinedthrough
discussion and critique. |
| August
11-15 |
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top:Tracks, photo print by Nicole Dul, bottom: Kairos,
2005 cyanotype and vandyke printed artists' book by Olivia Antsis |
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